A special Award

A SPECIAL MENTION

Our writer and scholar of Dona Gracia’s life ( “The Woman who Defied Kings”) Andrée Aelion Brooks just won a major Jewish journalism prize.

She was awarded First Place in the feature writing category of the Rockower Awards for Excellence in Jewish Journalism, run by the American Jewish Press Association. The winning piece was called “Honoring Our Ancestors.” It was about Harbin in Manchuria, China. It confirms her original and approach to research and writing about Jewish history.

We send her our congratulations.

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Welcome to the world of Dona Gracia Nasi

Welcome to the new online home for fans and followers of Doña Gracia Nasi, the remarkable woman who helped thousands escape the horrors of the 16th-century Inquisitions.

See some of the interesting comments offered by her various fans that are listed below and on the other pages listed above.

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We recently received this post from Emilie M. Barnett, one of several authors who have chosen to write a novel based upon Dona Gracia’s amazing life.

In 1978, having graduated from law school, I took my young daughter Barbra to visit her sister Laura who was studying in Greece.  We traveled on a cruise sponsored by the Union of American Hebrew Congregations, which featured speakers such as Abba Eban and Joachim Prinz, who had written a book called The Secret Jews.

The book devoted a chapter to Doña Gracia.   Despite my many years of Jewish studies, I had never heard of her, but I was determined to learn.  I researched all I could find in English, including letters to and from the ministers of Henry VIII, and even had an Inquisition document, written for some reason in French, translated.  I traveled to all the places she had lived and some to which it is only speculated that she visited.

My research confirmed what the British historian Cecil Roth wrote of her in his biography Doña Gracia of the House of Nasi “…her single-minded leadership at the time of the holocaust in Ancona in 1556 mark[s] her off as one of the outstanding figures of Jewish history, not of her own day alone, but of all time.” (p.xii)

This was a thirty year labor of love and I eventually wrote the historical novel, Daring Daughter of the Covenant describing her life and times.  Using the technique of fiction, I was able to enrich her story with relationships and endeavors that may have been part of her extraordinary life.  I’m glad others are finally writing about her as well so that one day the world may know and appreciate this remarkable woman.

 

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Who Best to Portray Doña Gracia?

We can’t wait for Doña Gracia to come to life on screen in our proposed TV mini-series about her life. But we’re thinking a lot about who should portray her — it would have to be someone who could capture her strength, determination, and dedication to family and faith. Who do you think would be the best actress to portray this amazing woman?

Early suggestions have been Catherine Zeta-Jones and Rachel Weisz — keep those suggestions coming!

Post your answers here or on our Dona Gracia Worldwide Facebook page.

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A Message From Istanbul

We recently received this lovely post from Aaron Nommaz, honorary consul of Portugal in Istanbul:

Hagia Sophia, Istanbul

Hagia Sophia, Istanbul

Some time ago, I set out to write a book on Dona Gracia in Turkish, as there is none, to serve as a monument and encourage future Turkish writers that would be interested in her. My aim was to dig into the Ottoman archives and get some more information about her.

But, as you might know, it is a difficult task for local academicians, let alone for an engineer-businessman like myself. The director of the Dolmabahçe Palace, who has been the assistant of Halil Inalcik for the past 17 years, is helping me. And I have two master’s degree students of history digging. But so far I am not satisfied with the progress. Since the family had no official status, apart from The Naxos title, there is little written in governmental chronicles.

Presently there is a very popular TV series in Turkey about the “great 100 years” of the empire with Suleyman the Magnificent and Roxelana as main characters. We are looking if we could insert an episode with Dona Gracia to awaken more interest in her.

"La Sinyora" Synagogue

"La Sinyora" Synagogue

I am also working with the Portuguese Ambassador to see if we can set up an exhibition that would travel her world, starting in Lisbon ending in Tiberias. We had several meetings with the Portuguese and Turkish ministers of culture and both expressed interest in the subject. There is interest in turning the empty La Sinyora synagogue in Haskoy, Istanbul, into a Dona Gracia museum. We need ideas and material to develop this.

As I finish my book I find that Brooks’ biography, as well as Roth’s, has served as an invaluable guide. Andree Brooks seems to have said all there is to say; but I also made an effort as an Ottoman Jew of Portuguese origin to increase awareness in the local Jewish community as well as a broader circle. And I intend to work a few days in the Bibliothéque Nationale in Paris and perhaps do some research in Venice, if I can find the time. That’s all for now…. Aaron Nommaz, honorary consul of Portugal in Istanbul.

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The Nasi Family in Italy

Crest of the Nasi familyI was recently asked whether there were any other Nasi families in Italy? Only a few have surfaced, including two sisters in the late 16th century who married two of the Bassano brothers – musicians in Venice who were later invited by Henry VIII to become resident players at his court. They remained as court musicians, and the family continued as fine instrument makers in London for centuries afterwards.

Nasi is a very unusual name; genealogists think it has only ever been used by families that have ties to the original and distinguished Nasi clan that came originally to Provence from Baghdad around the time of Charlemagne (800 CE). Some later drifted south into Spain and others turn up here and there in commercial documents in northern Italy. But it is neither an Italian nor a Spanish name; nor is it an Italian-Jewish or Spanish-Jewish name. It is unique. It can only be traced to the original Nasi – the name given to the leaders of the Jews in exile who were supposed to have descended from the House of David.

Nasi means prince in Hebrew, and it is sometimes spelled Nassi. We would love to hear from anyone with that name today.

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The Portuguese Inquisition

Pope Clement VII

Pope Clement VII

The Inquisition did not come to Portugal for about 60 years after it started up in Spain. Why did it take so long? It was partly because of the great pressure that the converso (converted Jews) community in Portugal put on the Portuguese king, and partly because those conversos had also sent a lobbyist to the Vatican to bribe the various cardinals, so that the pope did not sign the necessary “bull” – or document of authority – to begin an Inquisition.

It’s also likely that Francisco Mendes, Doña Gracia’s husband, played a part. By the early 1530s, when the pressure was greatest to launch an Inquisition, Francisco had become an important banker to the over-extended, debt-ridden king – his prominence may have been able to delay the Inquisition. In the end, it took the death of Francisco for the pro-Inquisition lobby to regain the upper hand.

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An Afternoon in Madrid

Catherine, wife of the Portuguese king and sister of the Holy Roman Emperor

Catherine, wife of the Portuguese king and sister of the Holy Roman Emperor

I just got back from a visit to the Prado Museum in Madrid where, among its fantastic paintings, I found myself entering a room where it seemed that on the walls all around me were old friends from my Doña Gracia research days. And suddenly those paintings felt like I was encountering real people with secrets I now knew!

In Room 56 there was Catherine of Hapsburg, wife of John III of Portugal — the Queen who would have raised Doña Gracia’s infant daughter had DG allowed her to do so. Thank goodness she didn´t. Peering past the exquisite black velvet dress trimmed with gold, I saw a plump, double-chinned woman who could only charitably be called “plain.” She seemed dour and devoid of emotion — decidedly watery blue blood flowing in her veins. Still, I wanted to speak to her — and we did have a sort of a “chat.”

She did look like she knew well how to play the royal power game and what was expected of her. After all, she once wrote a personal letter to her brother, Charles V, the Holy Roman Emperor up in Flanders, pleading with him to let Diogo Mendes, Doña Gracia´s brother-in-law, go free after Diogo had been jailed for supposed heresy and aiding the Turks. But this was only because the pair wanted Diogo´s money, and tying him up in jail also tied up his money. So take that haughty look off your face, Catherine, I now know your game!

Next to Catherine was a portrait of Mary Tudor, who may have met Doña Gracia in England. Mary also was unbelievably plain, uneasy, and stiff. Her clothes were as plain as her face, oddly enough. Not someone you would want to meet, except if you had no choice.

Maybe I was a bit biased, but next to her was a portrait of an unnamed young “Lady with Gold Chains” from the same era. Her eyes and face were so full-blooded that — pardon my imagination — she looked very Jewish. Could this have been Ana? Or the niece from the medal?

Indeed, she was so different that it occurred to me that one day we might discover that the members of the House of Mendes have their anonymous portraits hanging in museums and private collections all over the place without anyone knowing who they are. So I would like to put out a call to any gallery, museum, or private collector: if you have a portrait from the mid 16th century with any of the family names Mendes, Nasi, Micas, or de Luna, please let us know. We will offer a longer list of names in a coming post.

Upstairs in Room 27 was Titian’s famous portrait of Charles V on a horse — the quintessential Charles, determined, regal, cunning and painted just after his victory at Muhlberg. Not a mention, of course, about who he tried to strong-arm into giving him the cash to pay for his endless battles. Okay, Charles, I now know the real story!!!

And over in Room 49 was Raphael´s famous “Portrait of a Cardinal” — he could well have been one of those righteous Vatican cardinals that the family bribed for so many years to keep the Inquisition from coming to Portugal. It was painted a little earlier, but the young man could have well been in his middle years by the time the Mendes family came along with their lobbyist, Duarte da Paz. The cardinal´s right hand is not in the picture — symbolic of his hot hand for cash?

It was all a little much — as though they had suddenly come to life before my eyes and had to answer for their nefarious deeds.

More another time…

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Where Did Doña Gracia Die?

We don’t know for sure where Doña Gracia died. Cecil Roth, the distinguished historian, always maintained she died in Tiberias, and that a special mansion had been built for here there. However, we could not find any evidence of this.

We did, however, find a letter to the authorities in Dubrovnik, signed by her nephew and partner Don Joseph Nasi, informing them of her recent passing. Its language suggests she was still active in Istanbul right up until her death. I have always believed she died in the comfort of her family home there, rather than take the dangerous journey onwards to Tiberias.

The confusion might have occurred because it’s possible Doña Gracia left instructions for her body to be taken to holy ground in Tiberias after her death. That’s one of the holiest burial places in Israel, second only to the Mt. of Olives in Jerusalem, where she had sent the bones of her late husband, who had died in Lisbon many years before.

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Did Doña Gracia Keep Kosher?

What kind of food did Dona Gracia eat? This is a question that I have been asked countless times. Certainly there is evidence that she probably kept kosher as much as possible. We have reports from at least one servant during interrogations in Antwerp that the family resisted eating any meat brought home from the market, unless it had been butchered by one of their own men, who no doubt knew the techniques of Jewish ritual slaughter. This servant, Marie, even gave the name of the man who did the slaughtering – one Robyn Pinto. This gives her statement a ring of authenticity, since the Pintos were either related or very close to the Nasi-Mendes clan.

On another occasion in Venice, we are told that a close friend and servant of Dona Gracia’s sister, Brianda, would slip into the nearby Jewish ghetto to purchase meat for his own use– a highly dangerous idea since Brianda had always argued in public that she had become a sincere Catholic. And thus, she should have only employed sincere Catholics in her household. The implication is that the servant may well have been purchasing this meat for her table as well.

What about the kind of dishes did they prefer? Probably similar to the Portuguese cuisine of the period, with overtones from the Jewish cuisine of Medieval Spain, since this was where the family had originated. Underscoring this is that we do know that Dona Gracia moved around with a tight circle of converso servants from the same heritage.

There is a wonderful cookbook called “A Drizzle of Honey” by David M. Gitlitz and Linda Kay Davidson. It consists of recipes taken from Inquisition testimony, with the stories of the accused on a facing page. It lists a marvelous cornucopia of meat, poultry and vegetable dishes favored by converted Jews in Spain and Portugal of that era – at least the ones that had been apprehended for heresy to prove their backsliding.

Their cooking, of course, had to be done with olive oil rather than the pork fat which was otherwise used widely in the region. Some dishes had a really strong Jewish “identity;” sort of like rye bread and bagels do today. Among those would have been eggplant dishes prepared in a myriad of ways. Another would have been adafina, a stew normally made with pork, but one where they typically substituted chicken or other fowl to keep it kosher. It was often described as their Sabbath Stew as it was kept warm in embers overnight, ready for a Saturday meal – a time when Jewish law prohibited the kindling of fire and thus the heating of food.

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The Search for Doña Gracia

I had a chance earlier this week to give a talk about Doña Gracia Nasi at the International Jewish Genealogical conference in Washington, DC, centering on the way I did research for my biography on her (The Woman who Defied Kings). Since the audience was a collection of genealogy buffs, I talked mainly about the challenge of trying to go back 500  years to look for a woman, perhaps like members of their own families, who was not particularly famous, or royal, or notorious. Nor had she been sufficiently well-known to have a collection of papers in any one place – nor even any papers under her own name.

I explained it was a dogged treasure hunt and an organizational challenge, and how I had spent a lot of time at first circling the world she had lived in, in the hope of stumbling upon mentions of her – going around and around my subject rather than directly trying to find her, at least until the trail got warmer. I also had to find helpers who could read sixteenth-century handwriting (no easy task), and who understood the various acronyms and dialects that were used. Even documents in English did not use the English we use today.

I also read all I could find that had been published about her in languages I could read easily – English and French. But I was determined to include only original sixteenth-century documents as my sources, because from the outset I had realized that many historians had just copied each other. Also, so much of what I read from those historians was wrong or wrong-headed – such as assuming she could not have done this or that because she was a woman – and so they had attributed her deeds to others.

I then had to study the political and economic life of the period, to understand what I might be reading. If they mentioned war… well, what war was that? There were so many going on all over Europe at the time. I had to create a chronology of what we did know (or thought we knew) about her travels, deeds, and interests so that I could narrow down the archival search in any one place to the limited number of years when she might have lived in that city – say, between 1537 and 1544 in Antwerp.

After that, it was time to make a list of all the characters around her that we knew by name: sisters, brothers, mother, father, husband, children, cousins, and so forth. And we had to include all the various names they might have used and the many spellings of those names. If we found mention of family members in any document, then it was likely the incident had some connection to Doña Gracia herself.

I then consulted all the academic journal articles I could find that had included mentions of her, because these journal articles are normally rich in archival footnotes. So, for instance, if a footnote mentioned a certain notary in Ferrara, we could go to the files of that notary and look for other documents about her – and other facts in the same documents that had not been mentioned. Academic journal articles usually transcribe, at the end, the complete archival document used as the historical basis for the piece, which is normally included in its original language (so the reader can make his or her own interpretation). So long as I could find someone to help me with the translations, it would likely contain a lot of material that the academic might had thought to trivial or unnecessary to include – but might be useful to me.

This is only a brief sampling. If you have any further questions about the research methods, please tell me. I’d be glad to answer.

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